Musical Discoveries of 2008 Part 2 of 3

Harmonic 313 - EP1 / Dirtbox (Warp, 2008)

Mark Pritchard has flirted with using old synth sounds with hip-hop previously on the Global Communication Fabric mix and his nod to old library music project, Harmonic 33. He fully realizes those sounds on his latest project, Harmonic 313. Releasing two EPs this year, EP1 finds Pritchard in similar territory as some of J Dilla's electronic hip-hop producations while Dirtbox has mostly a dubstep sound. Harmonic 313's remix work is also worth a listen.


Jacaszek - Treny (Miasmah, 2008)

Miasmah continues their excellent output with Polish musician, Jacaszek. Combining chamber orchestra, female vocals, and prepared electronic sounds, Jacaszek manages to portray music of forgotten memories.


Kail - True Hollywood Squares (Alpha Pup, 2008)

This year was a little short of hip-hop for me, but Kail's concept album featuring different characters describing the true seedy underbelly of Hollywood rang to for me. Producation ranges from 8-bit video game samples to big band horns. Kail is a true ghetto tour guide.


Lambert and Nuttycombe - At Home (Fallout, 1970)

In a simiar style of Simon and Garfunkel, Lambert and Nuttycombe feature subtle guitar strumming with delicate two-part harmonies. There is a terrible sadness to this album that really shows the issues of Lambert's heroin addiction. I think I listened to this album more than any other from this last year.


The Left - Jesus Loves The Left: The Complete Studio Recordings (Bona Fide, 1984)

With all the recent so called punk music rotting on modern radio, many people want to claim that punk is dead. There are a few bands carrying the punk torch, but no other punk album that I heard this year hits like The Left. The Left capture what is best about punk: tiredless teenage boredom, asking questions, and wonderfully sloppy melodies.


Lindstrøm - Where You Go I Go Too (Smalltown Supersound, 2008)

Dance and electronic albums typically suffer from having one or two tracks that are great, and the rest of the tracks sound the same. I guess dance music is usually best in DJ mixes and live sets. That said, Lindstrøm manages to craft an album that combines many of the best parts of current dance music trends - am bient keyboard flourishes, disco breakbeats, and melodic dynamics - all into 3 epic and ambitious tracks.


Märtini Brös - The MB Factor (Poker Flat, 2008)

A mix album of the Märtini Brös best tracks from the last 10 years. Not since Tiefschwarz' Fabric mix has a minimal house mix sounded so good. Throw in some subtle flourishes over the 70 minutes with funky basslines, and it's all good.


Metro Area - Fabric 43 (Fabric, 2008)

The Fabric serious this year has some great contenders: Luciano, Ame, Robert Hood, and Mark Farina. Metro Area's mix beats them all out of sheer fun. The album starts with them commentating over the first track to give it a goofy feel, and then they settle into some rad Italo-disco and electro from the past 20 years.


Nik Bartsch's Ronin - Holon (ECM, 2008)

The European Jazz scene is one which has many different niche's and different styles. I am a fan of free jazz and improv jazz, but no other jazz album from the last year had the most intriguing mix of styles as this Swiss pianist's Ronin group. Modern classical, jazz, funk, electronic drone, and world music all find their way into these 6 varied tracks.


Noisia - Fabriclive. 40 (Fabric, 2008)

Each year, Fabric has a shining example of what's hot in the drum and bass world via their Fabriclive series. Noisia's release foregoes much of the cheesier vocal sounds of typical drum and bass and aims for dark complex beats. For 80 minutes, this mix consistently deals with the ebb and flow of the beats attempting to descend into glitch chaos.